The
elegance
of the traditional crazy quilt is
due in part to the variety
of elegant
fabrics used
and part to the elaborate stitching
outlining and decorating each piece
in the
quilt.
Silk floss Scissors Damp natural sponge Embroidery frame or hoop larger
enough for
your entire design area Crewel needles, various sizes Beeswax in plastic wax
case for threads Fabric Organizer – storage tools Non-greasy
lotion made especially for
fabric & thread work
Rough
Hands
The most common issue
stitchers have with silk threads and
fine fabrics
is rough fingers that snag the threads.
Apply a non-greasy lotion made
for
fabric and thread work, then buff your hands
on a clean towel until
smooth and
dry.A special
lotion is available at fine
fabric shops and worth the few extra $ they
cost. For handling and
sorting my
threads, I also like to wear my quilting
gloves.
Step 1 –
thread length
Your silk threads are
"twisted silk" flosses. Cut
a
12-inch length of thread. A
good working
length of thread is the
distance from your thumb to your elbow and
that length should separate
into two
strands by un-twisting the thread
gently. So carefully untwist
the twined
strands that make up the length of thread
until you have the separate
lengths
of silk floss needed.If
tangling is
problematic,
use a shorter length until you get
comfortable with it; shorter lengths
also
'wear' less as you use them.
Step 2 –
dampen
separate strands
Separate out one
strand, hold it taut between the thumb and
forefinger
of each hand, and pull it back and forth
across the damp sponge to wet
it
through. This will loosen the crinkles in
the floss caused by the tight
twining
technique used to form the thread, allow a
straighter strand that will
be
easier to use. Repeat with all remaining
lengths.
Step 3-# of
strands
Combine two to six
lengths of strands, side-by-side, to make
a 12-inch
length of floss. Use more strands for
thicker stitches or satin-stitch
work,
fewer for fine details.
Step 4 –
embroidery hoop or frame
Secure your fabric into
an embroidery hoop or frame that’s
large enough
to encompass your entire embroidery
design. Silk embroidery will
be
damaged if you move the frame or
hoop over each work area as it is
completed.
Step 5 –
thread the needle with the grain
Thread the floss
strands into a sharp crewel needle with the
grain of
the thread. Select a needle with an eye only
slightly larger than the
combined
floss strands, so that the floss will stay
in place as you stitch. If
the floss
strands slide back and forth inside the eye
as you stitch, it will fray
the
floss, making it increasingly difficult to
slide the fine threads
through the
fabric.
Thread has a
'grain', so if while embroidering you get
tangles or knots; remove the
thread
from your needle and thread the other end
of the thread into the
needle.
If
tangling or knotting is still a
problem...
Beeswax is used to
coat embroidery
threads. The wax strengthens the thread and
gives it a smooth coating.
If
tangling or knotting are still problems, try
running the length of
thread through
the slot in the plastic wax case before
separating.
Brush off
any excess wax from the thread before sewing
with it. The
beeswax
is especially good for gold work
so that the metal threads are less likely to
snag on the sewing thread
and
shred it.
Step 6
Straighten and flatten
the floss strands before each stitch,
and make tiny
stitches for the prettiest, most delicate
embroidery, and to maximize
the lustre
and shine of the silk.
Tools
for Organizing and Storing Threads
How
you organize
and store your silk threads really comes
down to
personal preference, but below are some
recommendations, and some
online sites
that show various tools for the job. Organizing
these
is a great project while watching TV.
Thread
bobbin cards stored in plastic divider
cases. Wind your
thread
gently onto each bobbin and file in your
case according to your color
organizing
scheme. This is a great ‘at a glance’
selection option; but it is time
consuming
to wrap the 461 colors on bobbin cards; but
so worth it. These
products
are readily available at more
craft and fabric stores, and are reasonably
priced.
DMC
Floss Organizers and 3" DMC Metal Rings -
to
organize, sort and store
threads. Each plastic holder
usually has 14 holes to hold
embroidery floss and
come in various shapes and colors
(butterfly, horse, etc.)
Several holders
can hang on each 3" ring by colour
groups; and the metal ring
also
has a hanger hook. The
plastic holder
shapes are readily available at fabric and
craft shops, as well as the
$store.
Floss-A-Way
Econo Pack With 3" Ring - 100 Bags –
consists of 100 small zip lock bags and a 3”
ring with hanger hook.Personally,
I
don't use the little zip-lock
bags as I find them too small for easy
access and you have to scrunch
up your
threads. The snack size bag is easier to
use, and you can hang these on
a ring
if you punch a hole in them yourself.
The $store carries small
zip lock
bags, but verify they have the punched hole.
Home-made
Rigid
Plastic Sheets with punched holes –
hang on the 3” metal
rings You
can
use is a rigid plastic sheet with large
holes punched. Insert
the thread through and loop-tie to loosely
secure. Punching holes
¼” to ½” may
require a special
paper punch or a drill bit.(Rigid
plastic cutting board sheets are available
from the $store)For
short-term use, substitute cardboard; but
it is not for long-term storage as cardboard
& fibres aren’t
compatible.
Stitch-bows
filed
in plastic sheets placed into a binder....
great for
traveling to the cottage or classes.
This may be an expensive
option, and
time consuming to wrap the 461 colors on
separate bows. These
supplies
are readily available at fabric &
department stores in the
embroidery
section.
Snack-size
zip lock bags Divide floss into
small colour-groups and put them into
snack-size zip
lock bags so they don’t get tangled or
soiled.This can be
temporary
while you
organize your threads or it can be as good a
way as any for permanent
sorting
and storage. Clear plastic shoe boxes are
good for filing the
baggies.
STORING... I recommend storing your floss
as you would
your fine fabric: in
a cool dark place,
such as in a closet or a drawer.This
protects against light fading and dust.
A
few suppliers
for various storage tools ....
Arts &
Crafts stores, fabric
stores, department stores, the Dollar
Stores, etc.
Search for the various tools through
your favorite on-line search
engine.
Crazy quilt is
an expressionistic quilt
using randomly pieced fancy fabrics which
are then embellished with
embroidery
stitches on almost every seam and patch.
For all these
crazy quilting techniques below, there are
really no hard and fast rules. Have fun and
don't stress because this
is your
design! If there are parts of the muslin
showing, simply cut another
patch and
sew it on. Don't be afraid to try prints
together and unique
combinations. You
are sharing a time honored tradition with your
ancestors so enjoy the
sense of
connection this project can evoke and know
that you are creating a link
to the
past and a bridge to the future.
Crazy
Quilt
Block Patterns
The
inspiring and informative books on Crazy
Quilting by J.
Marsha
Michler and
Judith
Baker
Montano
provide you with several templates for
blocks and teach you how
to
devise your own attractive variations.
Sharon
Boggon's
wonderful crazy quilt site will provide tons
of inspiration is designing your own crazy
quilt blocks.
Antique
Method of Crazy Quilting - This is
called the "antique
method" because it is believed that this
type of crazy quilting was
used
for the antique quilts that still exist
today. Start with a
foundation – I recommend muslin in a 14" x
14"
square just to get the feel of what you are
doing. Start by cutting and
laying
a piece of fabric in the corner of your
muslin. Lay a second patch
either
underlying or overlying the first piece by a
little more than 1/2".
Continue until the entire piece of muslin is
covered with pieces of
fabric that
you pin in place.
Now go back to the first piece of fabric and
press under the overlapped
edges
and pin in place. Continue with each patch,
pressing and pinning until
every
patch is finished. If you want any
trimmings, such as lace, ribbon,
etc., now
is the time to add this special touch to
your design by also pinning it
in
place. Now sew you pieces together and to
the muslin
foundation. Your square is now
ready for embellishment and
decorative embroidery.
Landscape
Method of Crazy Quilting - Using the
Landscape Method is
easier than the "Antique" Method because you
don't have to constantly
make decisions on which edges will be turned
under because each patch
is
finished as you go. Patches with 90 degree
angle or other large angles
are
better to use in this method because the
corners will finish easier.
The term
"landscape" comes from the way the patches
used in this method tend
to look like a landscape, giving the
impression of rolling hills.
Start at one corner and place your patch,
pressing under the edges.
Continue
placing patches and fill the bottom of your
foundation piece of fabric
(muslin, cotton, flannelette). When placing
your quilting patches, tuck
one side under another
and press the edges that are exposed. Keep
patching until you have
filled up
your muslin.
Continue
adding patches in this manner and keep
sewing with your machine. If it
becomes
impossible to use the machine, turn them
under and press with your iron
and sew
by hand.
How
to
make a crazy quilt
block by machine
Sew and Flip
Methodby Henrietta
Timmons -
Start with
a foundation such as
muslin measuring no larger than 12" x 12".
Your beginning patch
should be about 4" x 4" and 5 sided.
Take your second patch and
lay
it on the first with right sides together.
Sew along one side leaving
about
1/4" at the ends of this fabric patch. Do
not backstitch because you
may
have to remove some stitches from the ends.
Keep adding
patches and cut away any excess fabric from
previous patches.
Have all your fabric pieces with straight
edges for ease in sewing and
continually iron to keep your fabric from
puckering. This is the
fastest method but you don't have as much
control over your pattern.
You can apply your favorite paper piecing method
to crazy quilt block
patterns, or you can follow
the directions below.
Paper Pieced
Crazy Quilt Blocks
Materials: Tracing paper: I recommend
using
tracing paper, or a thin typing paper, or
plain newsprint from a pad.There is also tear away paper sold
specifically for quilting.
Fabrics:
silks,
satins, velvets
& other fancy fabric worthy of an
embroidered heirloom quilt.
Sewing
Thread:
Excellent quality machine quilting thread.
(Absolutely, do not use bargain threads on a
quilt you put a lot of work into and want to
last.)
STEPS:
Print out the crazy quilt
block
pattern on your printer, in
the block size you wish to try.
Put a piece of fabric face
up on the
center. Make sure the
fabric hangs over the edges of the seam line.
Put another strip of fabric
face down
on top of the first
piece of fabric. Set your sewing machine
stitch to fairly small (this
will
perforate the paper to make it easier to
remove later).
Sew the two pieces together
along the
seam line.
Open the fabric so both
pieces are
facing up, and press/iron
to flatten them. Use a pressing cloth to
protect your fabrics.
Repeat this process with
other scraps
of fabric, working
clockwise around from the center to the
outside. Iron, iron, iron.
Press each seam and repeat
this
process until the whole
square is covered with fabric. Make sure there
is no part of the paper
showing! Using a pressing
cloth, iron completed quilt
blocks
on your quilt from the back first and then
lightly from the front. Do
not apply
pressure because this may stretch and distort
the fabric. Instead, rely
on lots
of steam.
Okay, now the square looks
funky,
right? Not really like a
square exactly, anymore. Turn over and
trim excess fabric.
Admire
your new cool square!
Now, the real fun starts
with the
embellishing of the
blocks. It is highly recommended that you add
most of your
embellishments
before you sew your blocks together.
Obviously, embellishing the
block
joint seams must be done after!
To make a quilt, sew these
squares
into rows. Then sew the
rows together. (Try to match up the seams
between each square with the
seams of
the squares next to them.) See below for
more details for
assembling the
quilt top.
Beading
on Quilts
This site discusses the use of beads as an
embellishment on quilts. A
perfect
embellishment for crazy quilts!
CQMagOnline
How
to
assemble
crazy
quilt blocks into
a quilt top
Before
sewing
your completed blocks together to form the
quilt top, decide how
many
blocks you need to form a row, and how many
rows you need to form the
quilt
top. Allow for
borders and binding in
your quilt top measurements.
Before
you
start
to
sew,
lay
out
your
quilt top on a clean surface that is
large
enough to accommodate the entire top. Place
the
blocks
in
rows
that
make
a pleasing arrangement, color coordinated
if you
wish.Once you
have arrived at the final
layout you are almost ready to start sewing.
Next,
I
would
take
a
digital
picture
of
the quilt top, upload it to the
computer and review
the design to determine if further changes
are required to enhance the
final
product. Once
you are satisfied, number
the rows.
Stack
each
row's blocks together in order, and place
each row in a bag, and
write the
row # on the bag.
Sew
the
blocks together to form rows. Press the
seams. Fold and place back
in the row
numbered bag until all the rows are
finished.
When
all
rows
are
finished,
sew
the
rows
together in your predetermined
number order.
Press the
completed quilt top before
basting it to a batting and backing. Do not
press a quilt once the
batting has
been added, because this will flatten it.
Not all crazy
quilts have batting added to
them.
After following one of
the quilting
methods reviewed, give
your quilt a finished look by adding a
lovely border.
How
to quilt a
crazy quilt
Quilting
--
stitching
that goes
through all three layers of a quilt -- is
both functional and
decorative. On a
crazy quilt it is more functional than
decorative as it is used to hold
the
batting in place and attach the backing to
the quilt top
whether batting is used or not.
Crazy
quilts
can
be quilted using any
of the three methods: tying, hand
quilting, or machine quilting.
Tying,
hand
quilting
or machine
quilting would be done “in the ditch” of the
block seams prior to
embellishing
those particular seams. Crazy
quilts are so heavily
embellished
with embroidery, beads, ribbons, buttons,
and motifs that decorative
overall
quilting designs would detract from, if not
ruin, the effect of the
embellishments on the quilt top.
The
fastest
way
to secure the layers
of a quilt (top, batting, and backing)
together is to tie them.
Baste
as
usual
with quilting safety
pins, starting at the center and radiating
to the outside edges,
placing your
pins out of the line of sewing so they do
not interfere with your
stitching.
Thread
a
needle
with a long piece of
embroidery floss, yarn, or pearl cotton.
Using
a
deeply
curved needle, at
regular intervals and at seam joints (every
four inches, at most) take
a single
stitch through the three layers of
quilt. Continue with this
running
stitch in rows, up and down your entire
quilt, adding new thread as
necessary. When you finish your
running stitch for the quilt, cut
the
thread mid-way between your single "tying"
stitch.
After
you
have
clipped the threads,
tie the "tying stitch" thread in a double
square knot and trim the
thread to a consistent length, usually 1/2
or 1 inch.
Machine
Tying
If
you
prefer,
you can tie your quilt
by machine. Baste as usual with thread or
with quilting safety pins.
Your
machine
“tying”
will be done
with a “bartack” stitch at seam junctions or
where it does not
interfere with
your decorative stitching. If your
machine makes decorative
stitches, you
can make the ties more decorative by using
one of the many decorative
stitches
instead of the bartack stitch.
If
your
machine
does not have a
“bartack” stitch, you can simulate it with
the following
instruction: Set
the stitch length and width at 0. Take
several stitches and then
increase the
stitch width to a wide setting. Make about
eight stitches and return
the stitch
width to 0. Make several stitches and clip
the threads.
Place
the
basted
quilt on the machine
and make sure all the layers are
smooth.
Just
as
with
most quilting, start in
the center and work your way outward.
Using
whichever
tack
or decorative
stitch you have decided upon, stitch it
until it is complete. Raise the
pressure foot, move to the next spot on the
quilt, lower pressure foot
and
stitch the tack stitch. Don't cut the
threads, just keep moving
and
tacking until you have 1/4 of the quilt
done. Then turn the quilt and
do the
next quarter, working from the center out,
and repeat with the other
half/two
quarters until the whole quilt has been
tied.
Remove
the
quilt
from the machine,
and spread it on a table. Using FrayStop (it
dries clear, and soft and
doesn't
wash out) put a very small dab on each tack
stitch and let them all dry.
Once
they
are
dry, very carefully
clip the threads from one side of the quilt,
going from stitch to
stitch as
they were sewn, then flip the whole thing
over and trim them on the
other side.
Hand
Quilting
in
the Ditch
Baste
as
usual
with quilting safety pins,
starting at the center and radiating to the
outside edges, placing your
pins
out of the line of sewing so they do not
interfere with your stitching.
Again,
with
a
heavily embellished
crazy quilt, even the hand quilting will be
done “in the ditch”.
Some
quilters
hold
their work
unsupported in their lap when they quilt.
Most quilters, however,
prefer to use
some sort of quilting hoop or frame to hold
the quilt stretched out.
This makes
it easier to stitch with an even tension and
helps to prevent puckering
and
tucks.
Use
quilting
needles
for hand
quilting. The smaller the needle (higher
numbers like 11 and 12), the
easier it
will be to make small stitches. A quilting
thimble on the third finger
of your
quilting hand will protect you from needle
sores.
Use
no
more
than 18 inches of
quilting thread at a time. Longer
pieces of thread tend to
tangle, and
the end gets worn as it is pulled through
the fabric. Knot the end of
the
thread with a quilter's knot. Slip the
needle into the quilt top and
batting about
an inch from where the first stitch should
start. Pull the needle up
through
the quilt top at the beginning of the first
stitch. Hold the thread
firmly and
give it a little tug. The knot should pop
into the batting and lodge
between
the quilt top and backing.
The
quilting
stitch
is a running
stitch. Place your free hand (left hand for
right-handed people) under
the
quilt to feel for the needle as it pokes
through. At first, focus
on
making evenly sized stitches. Also, make
sure you are going through all
three
layers.
Machine
Quilting
in
the Ditch
Make
a
few
trial runs before starting
to stitch on your completed quilt. On the
test swatch, adjust the
tension
settings for the machine so that the
stitches are even and do not
pucker or
have loose loops of thread.
Baste
as
usual
with quilting safety
pins, starting at the center and radiating
to the outside edges,
placing your
pins out of the line of sewing so they do
not interfere with your
stitching.
The
easiest
machine
stitching is long
straight lines. These lines will be in a
grid, stitched in the ditches
formed
by seams joining the crazy quilt blocks
together.
Machine
sew
from
the center of the
quilt to the outer edges. Plan the
order of stitching. Your plan
should
minimize the need to start and stop as much
as possible.
Before
placing
the
quilt on the
sewing machine, roll the sides in toward the
center and secure the
rolls with
pins or bicycle clips. Use an even-feed
walking foot for straight lines
of
stitching.
To
begin,
turn
the hand-wheel to
lower and raise the needle to its highest
point. Pull gently on the top
thread
to bring the bobbin thread up through the
quilt. Stitch in place for
several
stitches. Gradually increase the length of
each stitch for the first
1/2 inch
of quilting until the stitches are the
desired length. This will secure
the
ends of the threads, making it unnecessary
to backstitch or knot them.
Reverse
these steps at the end of each line of
quilting.
When
quilting
with
the even-feed
walking foot, place your hands on either
side of the presser foot and
apply an
even pressure. Keep the layers smooth and
free of tucks.
Crazy
Quilt
borders
Square or
butted corners: Add quilt
borders simply by
sewing strips of fabric (of the desired
width) to the long sides of the
quilt.
Trim the ends of the strips even with the
short sides of the quilt.
Then stitch
strips of fabric to the short sides,
stitching across the borders
previously
applied.
Press the
borders and the seam allowances away from
the
center of the quilt. If there is more than
one border, apply the
borders in the
same order for each.
Mitered corners:In certain
quilts, mitered corners, which require a
little
more time and care, look better than the
square or butted corners
above. Find
the center of each border strip and the center
of each side of the
quilt. One
side at a time, pin the border and stitch,
beginning and ending 1/4
inch from
the edge of the quilt top. (Borders need
strips longer than the sides
for
mitering.)
Chinese Embroidery
Embroidery
is
a
very
long
established
art
form
in China. It was never classified as a
solely
female
activity and men and women have both
been involved in embroidery. The
items
embroidered are quite diverse and
include robes, theatrical costumes,
purses,
shoes, spectacle cases, banners, alter
cloths and many other pieces.
Some
of the pieces were so finely stitched
that the pieces took 5-6 people
several
years to complete. Embroidery was also
used as a means of decorating
silk
clothing and for silk flags and
banners as a means of denoting rank or
station. The finest pieces of work
were very expensive. Gradually,
embroidery
developed, as a pastime for wealthy
ladies and many members of the
court
were renowned for their intricate
work.
According
to
the
Chinese
there
are
two
main
divisions of embroidery, “chih wen”
and “tuan chen”.
“Chih wen” uses the long and short
stitch, while “tuan chen” involves
the
seed stitch used in Beijing which is
also known as the French knot. The
stitches most commonly used by the
Chinese include 1) satin stitch –
which
is further classified into long and
short 2) Beijing stitch or French
knot
3) Stem stitch; 4) Couching; 5) Chain
stitch; and 6) Split stitch. All
of these stitches are known in the
west. Many westerners find Chinese
embroidery
a little over done. The Chinese satin
stitch when done to perfection is
exquisite in its fine detail. The use
of gold thread for the French
knot,
for which the Chinese have a special
gift, is characteristic of their
work.
Sometimes even such light material as
gauze and paper were embroidered
to demonstrate the fineness of the
work.
It
is
difficult
to
be
precise
as
to
when
embroidery first was practiced in
China but based on
archeological excavations of tombs it
at least dates back to the early
Han dynasty which based itself near
Lake Baikal in the early second
century
B.C. Many Tang embroideries continue
to be preserved both in China and
in Japan. One of the most famous
representations of the embroiders’
artistry
is the piece that came from the
Thousand Buddhas at Tun Huang and that
dates from the tenth Century.
There
are
also
many
fine
pieces
of
embroidery
from the Sung dynasty. We know from
historical
records
that the Sung Emperor Hui Tsung
(1101-1126) established an embroidery
bureau
called the “Wen Hsiu Yuan”. It also is
well known that many of the
finest
pieces were copied in the Ming and
Ching period and it is therefore
difficult
to definitely attribute many of these
pieces.
Chinese
Literature
records
the
names
of
many
famous
embroidery artists. Among these are
Kuan
Fu-jen,
the wife of the painter Chao Meng-fu
and the ladies of the Ku family in
Shanghai such as Ku Shou-ch’ien who
worked their artistry in Ming
times.
The painters Tung ch’i-ch’ang and Wen
Cheng-ming and more recently
Sh’en
Chou who died in 1910 are all
considered great embroiders.
Embroidery
is
still
practiced
in
many
sections
of
China. Suzhou is well known for the
quality of its
work. Additionally other areas have a
reputation for embroidery but few
can match the precision, art and charm
of the work produced in China
prior
to the Modern period.